and Words
All that we can do is just survive
All that we can do to help ourselves is stay alive
All that we can do is just survive
All that we can do to help ourselves is stay alive
Ragged lines of ragged grey
Skeletons, they shuffle away
Shoutin′ guards and smoking guns
Will cut down the unlucky ones
Lyric excerpts from Musixmatch.
I was in high school when I read George Orwell’s 1984; ironically, it was around 1984. The words expanded my mind and darkened my heart; I loved that book. Some allege that, in order to render a book boring to students, teachers need only label it required reading. This book was required reading, and I loved it nonetheless. I won’t spend my post detailing the events in the book. I will say that its dystopian nature and the degree to which the state controlled everything awakened parts of my mind that lay dormant.
While I enjoyed reading other required assignments in high school, George Orwell’s 1984 sits at the top of the list. I should be grateful that it was assigned reading, because I honestly doubt that I would’ve read it on my own. On my own, I’ve read other books that others allege as classic must-reads, like Salinger’s Catcher in the Rye, but it didn’t have the same impact.
In my mind, the dystopian world in 1984 existed in my mind strictly as fiction. More specifically, I saw it as impossible fiction, much like reading Robert A. Heinlein or Roger Zelazny. I don’t necessarily dismiss the idea that space or intradimensional travel is possible; I merely accept the fact that it is currently impossible.
Rush, the music group, had always been in my radar. I had developed a respect for them as music geeks discussed the top bands or musicians. They, the band or its members, were always mentioned among the elites of rock music. Many Rush songs have left an indelible mark on me. If I had a soundtrack when I was approaching high school, ‘Tom Sawyer’ would’ve definitely been on it.
Years later, upon the release of Chronicles, I revisited many favorites from the band and discovered new music. Among the discoveries was ‘Red Sector A’, previously released in Grace Under Pressure. I’ll confess that I was blindsided by this song; I knew not of its existence before listening to it in Chronicles; it quickly became among my favorites.
Initially, the words from the song painted a picture in my head reminiscent of the scene from The Terminator set in the dystopian future. You can feel the desperation in both those scenes and Geddy Lee’s words in the song. While the verses may not align perfectly, such as “clutch the wire fence”, the picture they paint aligns well. Another bit of interesting trivia? Both ‘Red Sector A’ and ‘The Terminator’ were released in 1984.
Eventually, these words bled into that very same novel from my high school reading, 1984. I won’t necessarily conclude that all dystopian fiction leads to the same conclusion, nor does it have the same soundtrack. The plotlines diverge, and each work has its own merit. To put them all into the same bucket does each an injustice. Perhaps my fascination with the genre extends from my eternal sense of optimism. Things may suck right now, but situations improve.
Fast forward a few more years, and I listened to ‘Red Sector A’ a few more times. Having so many references to this song in my head, I marveled at the song’s origin. Eventually, I tracked it down. Neil Peart, Rush’s drummer and lyricist on this song, stated that accounts from the Holocaust inspired these lyrics. Furthermore, these were accounts by the mother of Geddy Lee (his bandmate). He scripted the words ambiguously so that they may apply to any prison camp setting, but the original inspiration was the Holocaust. This moment envelops me with sadness. Those stark images, painted by words written by Neil Peart and sung by Geddy Lee, did not represent fiction, the way I had imagined for so many years. Even if uttered in the present tense, they represented not fiction, but history.
Reflexively, whenever I hear about the Holocaust, I also think about the Japanese prison camps during World War II. I think about how Franklin Delano Roosevelt, one of our favorite presidents, issued an executive order to imprison Japanese residents, two-thirds of whom were citizens of the United States. Let’s pause for a moment and reflect on that. We locked up tens of thousands of United States citizens because they were descendants of a particular country. Would we be as quick to gather everyone of Swedish descent if Sweden were to attack the United States? How about Norway? Canada literally set the White House on fire; are we locking them up? It is not convenient to lock them up and put them away if they don’t look like us?
Unfortunately, they look like me. Japan invaded China in the 1930’s; even in my early childhood, my parents had animosity towards Japan. However, they understood the clear delineation between the country and its people. However, to people here in the US, Chinese people looked close enough to Japanese people that they may be guilty by association, even if both China and the United States were victims of Japan. Americans looked at Chinese people as a rounding error; we were close enough.
Now it brings us to today. Negativity drives us more easily than positivity. Social media companies know this; politicians know this. We persistently doomscroll as we grow angrier; we don’t even know if the positive version of this has a name. In order for social media companies to maximize ad revenue, they need to keep you on the platform. In order for politicians to get your vote, they must create a boogieman.
Today’s boogieman is the immigrant. I know that some will deny this. The story that we tell ourselves is that it’s the criminal element of this, as long as they enter the country ‘the right way’. They gloss over the fact that entering the country without documentation is merely a misdemeanor, much like jaywalking. While they can remove you for overstaying your visa, this is not even considered a crime. The Supreme Court explicitly said, “as a general rule, it is not a crime for a removable alien to remain present in the United States.”
The part we neglect to mention is that 7% of unauthorized immigrants come from Europe or Canada, in other words, predominantly Caucasian. ICE has been seen detaining predominantly people of color. Roughly 1 in 20 of them should be Caucasian; they’re not. You can continue to tell yourself the story of entering the country ‘the right way’ if it helps you sleep at night.
I’m here to keep you up at night. I’m here to tell the stories of how ICE detained Lewelyn Dixon, who arrived here legally decades ago, for months. How about the story of Will Kim, who has had a green card since he was five? Do you think you’re safe because you’re an Army veteran and a US citizen, it wasn’t enough for George Retes. None of them entered the country illegally. Have they become collateral damage? How about the fact that looking Latino, speaking Spanish, and working hard is now probable cause to detain you?
If you now think incarcerating 125,000 innocent Japanese US residents in the 1940s was unjust and appalling, I want you to ponder what you might’ve thought had you been living it at that time. Let’s reflect on the words from the song, “I clutch the wire fence until my fingers bleed”, where that fence may be in a place like Alligator Alcatraz today. I want you to consider how your future self might convince your current self to object to this. Today, you have the opportunity to undo these grave injustices before they escalate further.
Speak up. Immigrants are still human beings.